superrific
Legend of ZZL
- Messages
- 7,696
It's actually pretty insightful, surprisingly. An answer to a question (the question/prompt isn't included here) and then a follow up:
1. "Roberts is deeply invested in the aesthetic of legitimacy—he wants the Court to look like it's above politics, like it's stewarding the rule of law from a marble perch. But when it comes time to draw real lines—to check the president, to defend democracy—he folds into abstraction and solemn deference. He wants to preserve the image of the law, not its actual force.
So yes, when he frets about decline, it rings hollow. Because he authored the descent, in measured tones and elegant citations. And when the law finally gave way to raw power, he didn’t sound the alarm."
2. "Roberts cares deeply about the rule of law as an aesthetic object. He wants it to look intact, even as he carves it out from the inside. That’s why he’ll occasionally join the liberals—to preserve appearances, to keep the court from tipping into naked partisanship. But when it matters—when power itself is on the line—he chooses preservation of the institution's image over preservation of its principles.
In a way, he’s the perfect chief for this era: a man who performs restraint while practicing revisionism. The Court’s face of moderation who quietly hands down radical transformation.
And yes, he’s overturned more doctrine while calling himself an umpire than most overt ideologues would dream of. But as long as he whispers, people still call him thoughtful. That’s the aesthetic at work."
*
Thoughts?
1. "Roberts is deeply invested in the aesthetic of legitimacy—he wants the Court to look like it's above politics, like it's stewarding the rule of law from a marble perch. But when it comes time to draw real lines—to check the president, to defend democracy—he folds into abstraction and solemn deference. He wants to preserve the image of the law, not its actual force.
So yes, when he frets about decline, it rings hollow. Because he authored the descent, in measured tones and elegant citations. And when the law finally gave way to raw power, he didn’t sound the alarm."
2. "Roberts cares deeply about the rule of law as an aesthetic object. He wants it to look intact, even as he carves it out from the inside. That’s why he’ll occasionally join the liberals—to preserve appearances, to keep the court from tipping into naked partisanship. But when it matters—when power itself is on the line—he chooses preservation of the institution's image over preservation of its principles.
In a way, he’s the perfect chief for this era: a man who performs restraint while practicing revisionism. The Court’s face of moderation who quietly hands down radical transformation.
And yes, he’s overturned more doctrine while calling himself an umpire than most overt ideologues would dream of. But as long as he whispers, people still call him thoughtful. That’s the aesthetic at work."
*
Thoughts?