Hanna-Barbera? Looney Tunes?

As a Gen-X'er, I watched the Bugs Bunny Road Runner show every Saturday morning and never missed. After school on weekdays though, I grew quite partial to the Tex Avery cartoons, particularly the ones with "Southern Wolf." I want to say that's where Droopy originated as well, but I'm not 100% certain.
 
My greatest Looney Tune memory is watching Roadrunner on a screen set up on Navy Field while the Allman Brothers played in the background at the last Jubilee. I was absolutely fubared and it was wonderful.

One of two nights in my life that I don't remember how I got home.
 
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Both were great, but my favorite cartoon show, by far, was "The Adventures of Rocky and Bullwinkle" which was not produced by either one.
 
Both were great, but my favorite cartoon show, by far, was "The Adventures of Rocky and Bullwinkle" which was not produced by either one.


Somewhat related…



In 2018 I met Frank Hursh. A wonderful abstract artist, he had just turned 90, and has lived and worked most of the last 65 years+ in Mexico. Mr. Hursh attended Black Mountain College, an avante-garde place (near Asheville, NC — 1933-57) from 1949-50. Mr. Hursh went to Mexico to study The muralists (Diego Rivera, Siquieros, Rufino Tamayo, etc.) and found a home. While in Mexico Mr. Hursh worked for Val-Mar/Gamma Productions on ‘Rocky & Bullwinkle.’ The photo just below is of one of his backgrounds.

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In an interview Hursh had this to say: “At Gamma, there were 250 – 300 people working at any one time. I had from 8 to 12 people, depending, in my Department. Guillermo Aguilar was my assistant. All in all, we did some 18 and a half minutes of limited animation a week. At 12 images per second, that’s about 13,320 images produced in a week! That means layout, backgrounds, inking and painting, photographing! We did quite a lot of work, very quickly.

Sometimes, we did get some crazy things out of layout that changed the style of the backgrounds [that had already been done] for the whole show—and we would be so busy trying to match things up for the animation. One time we got a layout that was completely different from all the others and we had no time to change it. It was a bit crazy. Sometimes, because of rushing around, things were not done in the same style, which was visibly noticeable when it was aired. It gave the show a quirky feel, a bit off the wall. I think that was one of the things, along with the dialogue, that helped the appeal of Rocky & Bullwinkle.”

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Got to address the similarities between Cartoon and Television characters...Fred Flintstone was Ralph Kramden from The Honeymooners for example.
 
Got to address the similarities between Cartoon and Television characters...Fred Flintstone was Ralph Kramden from The Honeymooners for example.
What!?!? Are you sure? I distinctly remember Ralph Kramden operated a bus, but Fred Flintstone operated a dinosaur. Totally different skill sets. Further, Jackie Gleason did ads for Old Gold cigarettes but Fred Flintstone did ads for Winstons. I can still remember that catchy Winston jingle, "Winston tates bad like cigarette shat. No filter, no taste, just a [snap, snap] twenty cent waste."
 
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As a Gen-X'er, I watched the Bugs Bunny Road Runner show every Saturday morning and never missed. After school on weekdays though, I grew quite partial to the Tex Avery cartoons, particularly the ones with "Southern Wolf." I want to say that's where Droopy originated as well, but I'm not 100% certain.

My favorite "Southern Wolf" one is "Billy Boy"

 
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