Just an excerpt from
@uncgriff's post above (what is left off is the parallel story of Warren Wilson students coping with the disaster -- worth the read on its own):
"Natural disasters are foremost understood in terms of their material impact: as damage to bodies, buildings, infrastructure and economies. Helene brought winds, landslides and flooding that killed hundreds, displaced hundreds of thousands and wrought $70 billion in destruction across six states. This is how we catalog the wreckage left by floods and hurricanes, fires and earthquakes, blizzards and volcanoes.
But in the 21st century, these calamities also cleave through information networks, disconnecting vast regions from the media and communications that would normally inform them about what was happening. Everywhere else in the United States, people could simply glance at a screen to learn of Helene’s devastation. But those of us closest to that devastation had only the palest notion of its extent; even those who watched homes hurtling down mountainsides didn’t know whether the devastation was limited to what they could see or whether swaths of the country had washed away. To experience the disaster firsthand meant knowing almost nothing about it.
Soon after Helene passed over western North Carolina, a NOAA satellite photographed the region at night. The picture revealed all the clots and axons of electric light that signal technological civilization, a bright network tracing the highways and roads between major cities. But you could also see a wide plaque of darkness stretching between the Florida Panhandle and Virginia. This was the ruinous path of the storm — Fernández’s “vacuum of information” made visible.
When I saw that image, I thought of the communications theorist Marshall McLuhan. He once described electric light as “pure information,” because it was what facilitated so many other visual media. For McLuhan, anything that could deliver information was a medium: not just the obvious formats (television, telephone, photographs and so on) but also roads, railways, money, vehicles, satellites, clocks and more. In the dark void captured by that satellite image, nearly every medium examined in McLuhan’s 1964 book, “Understanding Media,” had been disabled.
Gales tore down more than 13,000 utility poles, slicing telephone lines and power cables. Broadband lines were unraveled by groundwater surges. The satellite dishes, cell towers and radio relays that protruded along the mountaintops were warped and toppled. Flooding sundered bridges and cleaved away jigsaw pieces of highways. Iron railways snapped in half. Thousands of vehicles were washed away. Banks closed. Digital clocks blinked off. And after sundown, interiors fell into a darkness in which even our trusty analog media — photographs, printed pages — became inaccessible. When information was needed most, it struggled to enter, leave or traverse western North Carolina through modern channels or ancient ones.
This profound disconnection occurs during many disasters — the wildfires in Southern California, the flooding in the Hill Country of Texas. Disasters can sever us, for a time, from what McLuhan called humanity’s “extended nervous system.” The process of slowly mending your connections to that network is an experience out of time. In western North Carolina, recovering from Helene felt like recapitulating the entire history of information, or some harried version of it — racing from the “primordial” back into modernity. We communicated first by word of mouth, then by handwritten signs and newsletters; we turned back to radio; we contended with fading cell signals and fickle satellite internet until our connection to the great network was fully restored. To return to the Age of Information was to feel, all at once, how important information is to human survival, and how our reliance on it leaves us perfectly vulnerable to manipulation and misinformation. Yet our strange deprivation also forced us to remember how minuscule the universe of information is, compared with the greater world that contains it."