Centerpiece
Inconceivable Member
- Messages
- 3,414
Shooting up schools, and The Beatles aside...
I just think Beato has his panties in a wad about AI in the music industry. He's also still butt-hurt because the industry itself has gone by the wayside in terms of how he remembers it being. Back when he had a band and a recording contract and back when he was a producer and a sound engineer, etc.... things were way different before Napster, digital recording in the home and so on. He's been really vocal against all of the AI-generated music as a whole and he is wish-casting that AI (music-wise anyway) goes by the wayside - just like his beloved old-school record industry did, much to his chagrin. He's hoping what's good for the goose is good for the gander. Personally, I think he's probably tilting at windmills. But time will tell I guess.
Not caring for his take on things is certainly subjective and a prerogative... as is one's take on bands, recording artists, music, and music styles in general.
As a musician myself, who was asked about a year ago regarding AI in music (and art in general), I decided to ask a song-writing buddy of mine in Nashville. A colleague who's been there for years doing that Nashville singer-songwriter thing. He said the industry professionals are telling all of their songwriters to "embrace" AI and use it simply as another tool in your tool belt for writing: Lyrics, melodies and arrangements, you name it. Thing is, you must duly credit AI if you "co-write" something with AI.
Another music colleague of mine - A professor of Jazz Studies at Western Carolina University posted this about AI.
Written by Benny Green - Jazz piano great who played with Art Blakey's Jazz Messengers back in the day:
"The Age of AI Music"
"Since music holds the power to heal and rejuvenate the spirit and unite people in affirmation, communion and celebration, it's always needed to impart and restore harmony to humankind.
AI generated faux instrumental music can be readily and indisputably distinguished by three immediate sonic factors: no recurring melodic phrases, no pauses in the droning of a consistently textured instrumentation, and an eery void of dynamic contrast.
The problem with the present reality in which anyone can generate anything with AI, attribute its content to someone else and then publish it forever on the internet, is that it spells the death of any possible societal trust in the authenticity (and integrity) of individual humans speaking, writing, or playing as themselves on the internet.
Ordinances must be imparted now and not a moment later, to restrict humanly created algorithmic internet bots from legally permitted identity theft of real people.
Having my name stolen in order for someone to market some computer-generated fake music is one thing - I know I'm not the first and I doubt I'll be the last - but willfully exercising one's internet anonymity in order to steal Freddy Cole's name, and endeavoring to attach the memory and legacy of someone as real as it gets (who's not here in mortal form to speak to this for themself) to something fake is something opposite of beautiful that I hope people en masse will recognize a need to disallow."
I just think Beato has his panties in a wad about AI in the music industry. He's also still butt-hurt because the industry itself has gone by the wayside in terms of how he remembers it being. Back when he had a band and a recording contract and back when he was a producer and a sound engineer, etc.... things were way different before Napster, digital recording in the home and so on. He's been really vocal against all of the AI-generated music as a whole and he is wish-casting that AI (music-wise anyway) goes by the wayside - just like his beloved old-school record industry did, much to his chagrin. He's hoping what's good for the goose is good for the gander. Personally, I think he's probably tilting at windmills. But time will tell I guess.
Not caring for his take on things is certainly subjective and a prerogative... as is one's take on bands, recording artists, music, and music styles in general.
As a musician myself, who was asked about a year ago regarding AI in music (and art in general), I decided to ask a song-writing buddy of mine in Nashville. A colleague who's been there for years doing that Nashville singer-songwriter thing. He said the industry professionals are telling all of their songwriters to "embrace" AI and use it simply as another tool in your tool belt for writing: Lyrics, melodies and arrangements, you name it. Thing is, you must duly credit AI if you "co-write" something with AI.
Another music colleague of mine - A professor of Jazz Studies at Western Carolina University posted this about AI.
Written by Benny Green - Jazz piano great who played with Art Blakey's Jazz Messengers back in the day:
"The Age of AI Music"
"Since music holds the power to heal and rejuvenate the spirit and unite people in affirmation, communion and celebration, it's always needed to impart and restore harmony to humankind.
AI generated faux instrumental music can be readily and indisputably distinguished by three immediate sonic factors: no recurring melodic phrases, no pauses in the droning of a consistently textured instrumentation, and an eery void of dynamic contrast.
The problem with the present reality in which anyone can generate anything with AI, attribute its content to someone else and then publish it forever on the internet, is that it spells the death of any possible societal trust in the authenticity (and integrity) of individual humans speaking, writing, or playing as themselves on the internet.
Ordinances must be imparted now and not a moment later, to restrict humanly created algorithmic internet bots from legally permitted identity theft of real people.
Having my name stolen in order for someone to market some computer-generated fake music is one thing - I know I'm not the first and I doubt I'll be the last - but willfully exercising one's internet anonymity in order to steal Freddy Cole's name, and endeavoring to attach the memory and legacy of someone as real as it gets (who's not here in mortal form to speak to this for themself) to something fake is something opposite of beautiful that I hope people en masse will recognize a need to disallow."