superrific
Legend of ZZL
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I will have to try sumac again. I wasn't impressed by it the first time I listened to it, but I wasn't necessarily in a great mood and also I was perhaps subconsciously comparing it to one of my more favorite spices. ISIS has one amazing album and then other albums that are OK, I think. But I respect the hell out of them, even if I don't always dig everything they do. Same with Neurosis, though if you pressed me, I'd say Neurosis > ISIS because the best album among all of them is Souls At Zero. I fucking love that record. So did my 10 year old, so they have appeal.When Wikipedia is tossing off suggestions like Earth Crisis and Integrity, I think more guidance is in order: he should listen to Converge, Jane Doe.
Converge's prior records are a bit more self-indulgent, though "Saddest Day" was the hardcore/metalcore song that everyone loved. Everything after Jane Doe shares its buzzsaw aesthetic.
And if you like Converge, then there's a decent chance you'd like everything that HydraHead records was putting out in the late 90s and early 00s, in particular Botch (We Are the Romans), Cave In, and Dillinger Escape Plan.
Of course, the label founder is Aaron Turner of ISIS, Old Man Gloom, Split Cranium, Pharaoh Overlord and, last but definitely not least, Sumac fame. By my reckoning, he's one of the most creative metal musicians of the last 25+ years.
Thanks for the rec on the metal core. For the past 20 years or so, my main source for metal has been a friend of mine who is really in the scene. But I guess he's not that into the -core stuff. I also listen around but I haven't stumbled upon this genre. I do like Scene Queen to an unreasonable extent, and now I that I think about it, I think she was part of a -core scene. She calls herself bimbocore, which I've thought of as an updated Riot Grrrl, but maybe it has origins in this metalcore. She definitely has breakdowns in her songs.