Science Fiction

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At the risk of typing into the void, I gotta say that I enjoyed the Varley novel. Nerds often describe M John Harrison's The Centauri Device as the novel that deconstructed space opera, though I don't think it was entirely successful. In any case, Varley's The Ophiuchi Hotline has that same deconstructive vibe vis-a-vis first contact-style stories and, I think, it more squarely hits its targets.

Much to my shame, I've picked up a well-recommended Warhammer 40k novel. I'm not really into military sci-fi as a genre, but I appreciate the (sometimes overwrought) efforts at worldbuilding and machismo.

It is with a deep and abiding shame that I say that I mostly enjoyed the first Warhammer 40k novel that I read. Granted, it's my understanding that it's one of the most highly recommended Warhammer novels. In sum: military sci-fi that valorizes the martial virtues; self-conscious pretenses to granting war the grandeur and dignity of Homeric epic, though this comes at the expense of three-dimensional characters as well as the political and social intrigue that should accompany a galaxy-spanning war machine. I think it would be worthwhile to think about these novels as modern-day pulps.

I am reading a second Warhammer novel by a different author--it is also different type of story set in a different time period--that I'm enjoying much less.
 
No love for Greensboro's Orson Scott Card?
For a book based on work he did in 1977, I thought "Ender's Game" was prescient re: the rise of video war games, drone technology and the surrounding ethics.
 
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