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Lotta good stuff today but I'm going with this because who in their right mind didn't like his writing and the whole gonzo thing.
American journalist and author Hunter S. Thompson—who created the genre known as gonzo journalism, a highly personal style of reporting that made him a counterculture icon—died of a self-inflicted gunshot wound.
Hunter S. Thompson (born July 18, 1937, Louisville, Kentucky, U.S.—died February 20, 2005, Woody Creek, Colorado) was an American journalist and author who created the genre known as gonzo journalism, a highly personal style of reporting that made Thompson a counterculture icon.
Thompson, who had a number of run-ins with the law as a young man, joined the U.S. Air Force in 1956. He served as a sports editor for a base newspaper and continued his journalism career after being discharged in 1957. In the following years he also wrote two autobiographical novels, but both were initially rejected by publishing houses; The Rum Diary eventually saw publication in 1998 (film 2011). In 1965 Thompson infiltrated the Hells Angels motorcycle gang, an experience he recounted in Hell’s Angels (1967). The book led to writing assignments for Esquire, Harper’s, Rolling Stone, and other magazines. In addition to his irreverent political and cultural criticism, Thompson also began to attract attention for his larger-than-life persona, which was highlighted by drug- and alcohol-fueled adventures and a distaste for authority.
In 1970 Thompson introduced his subjective style of reporting with the article “The Kentucky Derby Is Decadent and Depraved,” in which he was a central part of the story. A 1971 assignment for Sports Illustrated to cover a motorcycle race in Nevada resulted in perhaps his best-known work, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream, which became a contemporary classic and established the genre of gonzo journalism. First serialized in Rolling Stone in 1971, it documents the drug-addled road trip taken by Thompson (as his alter ego Raoul Duke) and his lawyer (Dr. Gonzo) while also discussing the end of the 1960s counterculture. The book featured frenetic artwork by Ralph Steadman, who illustrated many of Thompson’s works. Fear and Loathing in Las Vegas was adapted as a 1998 film directed by Terry Gilliam and starring Johnny Depp and Benicio Del Toro.
Similar to Kerouac’s On the Road, Hunter S. Thompson’s novel Fear and Loathing in Las Vegas is autobiographical in nature. The story is based on two trips to Las Vegas taken by Thompson and his attorney, Oscar Zeta Acosta, in an attempt to gather information for articles commissioned by Sports Illustrated and Rolling Stone. Protagonist Raoul Duke, Thompson’s literary double, goes to Las Vegas with attorney Dr. Gonzo, Acosta’s fictional counterpart. While there, Duke and Dr. Gonzo are meant to report on the Mint 400 motorcycle race, but they are constantly interrupted by their intensive use of recreational drugs including LSD, cocaine, cannabis, and alcohol. During bouts of hallucinogenic experiences, the two ponder the meaning of the “American Dream” and the counterculture.
Thompson’s recounting of the past in a manner than blends both fact and fiction gave rise to the genre of gonzo journalism, an inherently countercultural method of reporting.
American journalist and author Hunter S. Thompson—who created the genre known as gonzo journalism, a highly personal style of reporting that made him a counterculture icon—died of a self-inflicted gunshot wound.
Hunter S. Thompson (born July 18, 1937, Louisville, Kentucky, U.S.—died February 20, 2005, Woody Creek, Colorado) was an American journalist and author who created the genre known as gonzo journalism, a highly personal style of reporting that made Thompson a counterculture icon.
Thompson, who had a number of run-ins with the law as a young man, joined the U.S. Air Force in 1956. He served as a sports editor for a base newspaper and continued his journalism career after being discharged in 1957. In the following years he also wrote two autobiographical novels, but both were initially rejected by publishing houses; The Rum Diary eventually saw publication in 1998 (film 2011). In 1965 Thompson infiltrated the Hells Angels motorcycle gang, an experience he recounted in Hell’s Angels (1967). The book led to writing assignments for Esquire, Harper’s, Rolling Stone, and other magazines. In addition to his irreverent political and cultural criticism, Thompson also began to attract attention for his larger-than-life persona, which was highlighted by drug- and alcohol-fueled adventures and a distaste for authority.
In 1970 Thompson introduced his subjective style of reporting with the article “The Kentucky Derby Is Decadent and Depraved,” in which he was a central part of the story. A 1971 assignment for Sports Illustrated to cover a motorcycle race in Nevada resulted in perhaps his best-known work, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream, which became a contemporary classic and established the genre of gonzo journalism. First serialized in Rolling Stone in 1971, it documents the drug-addled road trip taken by Thompson (as his alter ego Raoul Duke) and his lawyer (Dr. Gonzo) while also discussing the end of the 1960s counterculture. The book featured frenetic artwork by Ralph Steadman, who illustrated many of Thompson’s works. Fear and Loathing in Las Vegas was adapted as a 1998 film directed by Terry Gilliam and starring Johnny Depp and Benicio Del Toro.
Similar to Kerouac’s On the Road, Hunter S. Thompson’s novel Fear and Loathing in Las Vegas is autobiographical in nature. The story is based on two trips to Las Vegas taken by Thompson and his attorney, Oscar Zeta Acosta, in an attempt to gather information for articles commissioned by Sports Illustrated and Rolling Stone. Protagonist Raoul Duke, Thompson’s literary double, goes to Las Vegas with attorney Dr. Gonzo, Acosta’s fictional counterpart. While there, Duke and Dr. Gonzo are meant to report on the Mint 400 motorcycle race, but they are constantly interrupted by their intensive use of recreational drugs including LSD, cocaine, cannabis, and alcohol. During bouts of hallucinogenic experiences, the two ponder the meaning of the “American Dream” and the counterculture.
Thompson’s recounting of the past in a manner than blends both fact and fiction gave rise to the genre of gonzo journalism, an inherently countercultural method of reporting.
