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This makes me happy

That’s very cool. Nice to see one coming back up instead of another going down. I won’t question the business side of it, and just hope it all works out.

There was talk of the Lincoln Plaza 6 reopening in some capacity, not sure what happened with that.
 
We just saw Project Hail Mary today - I had read the book and really enjoyed it - stayed very faithful to the book - saw it with my wife and son and they hadn't read the book and they both enjoyed it as well - really hope that Ryan Gosling gets some serious award consideration because he was phenomenal in this movie
This is the best film of the year so far, and a thoroughly remarkable accomplishment, in delivering a complex story with two superb performances. It's that exceedingly rare example of an actual science fiction film--meaning to me, hard science fiction that gets the foundational science right as it explores speculative ideas. It works entirely on its own merit, but as one who loved the superb novel, it also realizes the best elements of the source, and all indications are it succeeds with general audiences who would never read hard science fiction.

The crossover elements of the novel that are so great, the science, the excitement of the story as it unfolds, and the emotion and humor are all present in the film, with perhaps rightly being lighter on the science, and greater on the emotion and humor. One flaw: the thing the film does not capture well enough is the sense of the danger to Earth that creates the need for the mission. Visually, it is brilliant and continuously astonishing. Highest recommendation to see it in IMAX if you can.

Gosling and Sandra Hüller are early frontrunners for many acting awards, and the film may capture many more categories, but what I love is it will make a good profit, thus encouraging more legit science film projects to get financed amid all the routine, garbage Star Wars and comic book Hollywood product.
 
Just finished “Sisu” road to revenge. Pretty predictable but satisfying! Good guy movie I’m thinking! I like that his dog made it!
 
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Finally watched Bone Temple. I liked it quite a bit but not quite as much as 28 Years. Some of the writing was iffy and the Alfie Williams kid can’t act worth a shit, but I liked the direction the story went and some of the scenes were very memorable.

B+
 
meaning to me, hard science fiction that gets the foundational science right as it explores speculative ideas.
This is the one about alien single celled organisms that live in space, leech energy out of the sun and breed with CO2 from Venus? Then they use this alien thing as rocket fuel, to travel many light years at relativistic speeds to get to a system where there are rival microorganisms that prey on the first alien organisms? Along the way, they encounter some sort of alien beings that can somehow achieve space travel and indeed galactic survival without understanding relativity; they also encounter an alien supermaterial that they use to interact with the microbes?

This is what you call getting the foundational science right? Really? I haven't read or seen it but it sure seems like a bunch of stacked magic wands.
 
Project Hail Mary is competency porn, not because it's "hard" SF (whatever the fuck that means), but because it projects the fantasy of improvisatory scientists doo-bee-doo-dahing their way through space and its challenges.
 
Posted this by mistake on the streaming series thread. I recall reading some reviews of this film in here and now looking forward to rereading them...

I watched Marty Supreme this weekend. It had its moments and I'd say I enjoyed it overall but I wasn't blown away by it. The end seemed bit contrived. Or something. I guess contrived isn't a good word to use since all art is contrived in a sense, but I didn't find it terribly satisfying.

Also (stop reading if you haven't seen the movie, although this isn't really any kind of big spoiler) was Kevin O'Leary's character really a vampire? My ears perked up when he told Marty that he was a vampire and had been born in 1601, but I didn't really take it seriously at first, then I started thinking hmmm, was he really a vampire? I asked Gemini about it and it said the way it was presented probably meant that it was metaphorical, but that the director (and O'Leary) were really pushing for him to be a real vampire, to the point that the last scene was to be Marty (in old age makeup) in the 1980's at a concert with his granddaughter, and O'Leary appears, unaged, and bites him on the neck.

Evidently the studio didn't go for that (they thought the director was trolling them with that whole story line (well, it wouldn't have actually been a storyline, but a plot point, albeit a very dramatic and out of left field plot point) and nixed the whole idea. I think I would've liked that ending better than the one they ended up with...
 
Posted this by mistake on the streaming series thread. I recall reading some reviews of this film in here and now looking forward to rereading them...

I watched Marty Supreme this weekend. It had its moments and I'd say I enjoyed it overall but I wasn't blown away by it. The end seemed bit contrived. Or something. I guess contrived isn't a good word to use since all art is contrived in a sense, but I didn't find it terribly satisfying.

Also (stop reading if you haven't seen the movie, although this isn't really any kind of big spoiler) was Kevin O'Leary's character really a vampire? My ears perked up when he told Marty that he was a vampire and had been born in 1601, but I didn't really take it seriously at first, then I started thinking hmmm, was he really a vampire? I asked Gemini about it and it said the way it was presented probably meant that it was metaphorical, but that the director (and O'Leary) were really pushing for him to be a real vampire, to the point that the last scene was to be Marty (in old age makeup) in the 1980's at a concert with his granddaughter, and O'Leary appears, unaged, and bites him on the neck.

Evidently the studio didn't go for that (they thought the director was trolling them with that whole story line (well, it wouldn't have actually been a storyline, but a plot point, albeit a very dramatic and out of left field plot point) and nixed the whole idea. I think I would've liked that ending better than the one they ended up with...
Wholeheartedly agree with your non-vampire assessment. It was hyper-stylized to the point where the dramatic tension to me felt like a retread of Uncut Gems but way less compelling. Maybe because it was, or maybe I just didn’t have the tolerance for it due to my Chalamet aversion among other things. Well done movie, but the style and essence just totally missed me.


*Spoilers I guess?*


As to the vampire stuff, no I don’t see it. Super rich people like to think they’re superhuman or want to be superhuman. Look at the mess that was Michael Jackson at the end. I’m sure in his cryo chamber at night he wondered about his vampireness at various points. And many other examples including Putin and Xi shooting the shit about immortality a few months back.

But no I don’t see it.Though I’d at least have given it some points for creativity.

 
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Yeah, I usually don't go for a gimmicky plot device that doesn't really have anything to do with the movie, like the toadstorm in Magnolia (first one that comes to mind), but generally little moments like that don't really detract from the rest of the movie and it's just something you have to put in your pocket and go "Hmmm" or "WTF?" and move on. In this case, particularly as the reveal of Rockwell really being a vampire would've been at the very end of the movie, there wouldn't be any time to contemplate what it meant for the rest of the movie b/c the movie would be over (although I guess that would leave things open for a sequel, LOL). At the very least, it would've perplexed and perhaps enraged some viewers and for some perverse reason the thought of that pleases me...
 
Project Hail Mary is competency porn, not because it's "hard" SF (whatever the fuck that means), but because it projects the fantasy of improvisatory scientists doo-bee-doo-dahing their way through space and its challenges.
That's a remarkably worthless "edgy" post, with a tart twist of pop Ludditism. The whole and all parts of the sentence are unintentionally funny, but especially "competency porn."
 
I am very interested in seeing Backrooms. Has some big names in it, too.


This could be interesting, at least possibly, as it reminds me of some dreams I used to have. Also reminds me in a different way of a very fun sort of non-horror but Existential Angst game I played call The Stanley Parable.


 
This could be interesting, at least possibly, as it reminds me of some dreams I used to have. Also reminds me in a different way of a very fun sort of non-horror but Existential Angst game I played call The Stanley Parable.



I started a thread about what is called mall world dreams a week or so ago. I read about that after researching the backstory for this movie.

 
I started a thread about what is called mall world dreams a week or so ago. I read about that after researching the backstory for this movie.

Yes! I've had those, and it was sometimes a dream mashup with a giant, empty factory. I'll visit that thread later when I have more time.
 
Yes! I've had those, and it was sometimes a dream mashup with a giant, empty factory. I'll visit that thread later when I have more time.
Maybe I didn't start a thread about it because I can't find it now. But I did start one a while back about weird dreams. Guess I can post the article in that thread.

 
That's a remarkably worthless "edgy" post, with a tart twist of pop Ludditism. The whole and all parts of the sentence are unintentionally funny, but especially "competency porn."
Project Hail Mary is most certainly a novel that presumes the incontrovertible value of expertise. It imagines a world where governments rationally respond to an imminent crisis by subordinating political authority to professional authority. That's what's so comforting about it--it's a throwback to 1950s SF by authors like Asimov and Heinlein (in his non-racist mode). That's also what makes it a novel that panders to filthy college-educated liberals such as myself.
 
I haven’t seen PHM but I do enjoy when anomaly gets snippy over someone taking a swipe at a movie he likes 😆

By the way anomaly, headed to see Full Metal Jacket in 35mm later, and Barry Lyndon next week. Plus I’ve never seen Barry, kinda been waiting for a big screen opportunity and now I’ve got one.
 
I haven’t seen PHM but I do enjoy when anomaly gets snippy over someone taking a swipe at a movie he likes 😆

By the way anomaly, headed to see Full Metal Jacket in 35mm later, and Barry Lyndon next week. Plus I’ve never seen Barry, kinda been waiting for a big screen opportunity and now I’ve got one.
Barry Lyndon is basically my "co-equal" favorite film (with 2001: A Space Odyssey, and also equal in just as much being a trip into another time and space, into a world, like no other period film. Kubrick always intended his films to only be seen in a theater, so you get right in that way (Vivian Kubrick told me many years ago he hated VHS and the new laser discs, as it grossly distorted the way he wanted film to be experienced). There is no film as visually beautiful, which contrasts with the tragedy of the narrative.

It also is deeply challenging in an unparalleled level of subtlety, from a quieter and slower time, and takes the measure of the audience in that way rather than the other way around as usual. The film Jeanne Dielman became a big critics fad not long ago as a film of deep subtlety about the repressed lives of women, and Barry Lyndon does that (and vastly more) on an even deeper level. It exemplifies a late-Kubrick main oeuvre conception, the distortive, stunted, emotional repression of "all the best people"--a recurring critical theme of Kubrick in this film that will be repeated in The Shining, Full Metal Jacket, and Eyes Wide Shut.
 
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It looks like Coyote vs. Acme finally has a release date later this year. It was filmed several years ago and then was supposedly permanently shelved as some kind of a tax write-off by David Zaslav, but the chatter about it at the time was that it was supposedly really good, and the trailer is pretty promising.
 
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